![]() This quality was the polar opposite of much of John Coltrane's music following A Love Supreme (Impulse, 1965)though, as British tenor saxophonist Denys Baptiste demonstrated on his masterpiece The Late Trane (Edition, 2017), there was beauty, nuance and stillness in John's late-period albums if you had the ears to hear those things. A Monastic Trio (1968), Huntington Ashram Monastery (1969), Ptah, The El Daoud (1970), Journey In Satchidananda (1971) and World Galaxy (1972) were muscular enough, but each was characterised by a reflective, meditative ambience. The misapprehension stems from the gentler albums Alice made for Impulse in the first few years following her husband's passing. ![]() The truth is otherwise, as attentive listening to the recordings the two Coltranes made together in 19 demonstrates. Conventional belief holds that Alice Coltrane was the dreamy, mellifluous partner in John Coltrane's late period, out-there sonic explorations.
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